Saturday, 20 February 2010

Egontshini

Egontshini




I find myself sinking more and more into arts and crafts....i mean the name makes it sound bad.....but it is handmade art...BEAUTIFUL!!!


I am trying to get my name up(in the end)....will be trying two more stores this week and an online American shop. Im thinking that I need to sustain myself....I love drawing,sketchig...making things....even if it is dead in the middle of the night...I always have time for that last piece. 


It isnt getting any easier with school on the one side....and a business on the side. But(no sentence should start with it) this is how it is if you don`t want to work in an office and you want to have your own office. 


So this month is hectic........

 The event is hosted by Egontshini.

Im organising a market in Jozi, Newtown by Kospotong.

date: 28th February,2010

venue: Ko`spotong resturant, Newtown, Johannesburg

noon till late night



WHAT IS EGONTSHINI?


Egontshini is a Gauteng based company which is situated at a flea market in Newtown opposite the Market Theater. The company is involved in the distribution, sales and marketing of young, alternative up and coming pioneering designers and artists. We are an incubator for designers, where they can feel natured and where they can let their creative juices flow. 


Egontshini in 'kasi lingo' is an underground unknown space where people discover a box of treasures. We specialize in vintage, old-skool designer wear and clothing and specially designed unique accessories. 


Egontshini's target market is anybody and everybody who loves art, design, clothing and music we have no age limit and because of the various designers we work with we cater to everybody's sense of style and fashion. We are not limiting ourselves to any specific place or region but we're positively aiming for the world. Egontshini caters for the alternative market that seeks fresh,local products that cater for them as South Africans. We also cater for anyone that has their own sense of style but do not really follow the mass fashion trends. 





Wednesday, 1 July 2009

Beading Dancer...earrings and paintings



So I did promise to put up my stuff on the blogg and it`s kind of not made it on here...till today. 
These are my earrings and paintings I have made and designed over the last 5 or so years. 
Holla at your gurl for more


Artworks I have made...some are still available and other`s are hanging in someone`s living room....I have a mix of different mediums.

                








        

Monday, 29 June 2009


What: In Transit 09, 11-21 June

location: Haus der kulturen der welt

nande:Theatre, Dance, Body-art, Performances, Video and sound installations, lectures, discussions, laboratory, interactive library, parties.


 

Intransit....Housed in the Haus


The Haus is a great piece of architecture, it was a gift form the United States of America to West Germany when the wall was still up. The building was supposed to have no walls and no roof, the was a structure over the building that acted as the roof. Unfortunately, the roof structure collapsed and had to be rebuilt. It was then that the building was customised.  The structure is said to look like a pregnant oyster....Jimmy Carters laugh. If you get the opportunity to get to the building, stand close to the pools of water near the garden and look for the reflection of the building....it should look like an eye. 

Speaking of gardens, the are families of rabbits that house themselves around the grounds(but especially under the green zozo offices in the Haus. But, where there are bunnies there bound to be foxes....yes...foxes. We saw a fox on the first day at the Haus...walking out with a rabbit in it`s mouth.And that`s not all, there is a technician dog...well, actually. The head technician comes to work with his dog....whom we came to love and called `Fox`. Sweetest thing ever!


The Intransit Festival took place in Haus Der Kulturen Der Welt in the middle of Berlin,Germany. It ran from the 11th of June till the 21st of June. This years theme was Resistance of the object....which we only realised was a re-occuring theme in our work. 


I joined sharp-sharp activities in the earlier stages of the project. It has always been hard for people outside dance or performance art and people who have a fixed idea about performance to understand our work.  The beauty of this project is that we work between performing and not performing; theatrical events and social events. We have had a few activities where the start of the activity was a silent walk(we take a group of people around an everyday place like an office to show them a specific sites and events along the route) followed by a sort of social event where you will find elements of the theatre. 


The question for me as a performer is always that: are we putting chunks of theatrical stuff into social events? 

Looking at the whole performance-non-performance it does seem like its a blur, in that you don`t see where one fits into the other. But when you have planned out the activity(which we do do...a lot), you do see where the line is in the performance schedule. I guess the trick is working at an idea so much that, as open as it will be, it starts looking like a blur to the performer as well. 



Performances:


Butoh Banger


I had the pleasure of viewing a butoh performance at the festival. Sankai Juku performed Hibiki(1998). The performance was truly awesome. WARNING: If you aren`t into a more ancient, native flava....don`t attend these type of performances or genres cause they are that exactly. You won`t find people trying to fake or please an audience. It`s more of a ritual than a `dance performance`. 


I thought it was a great piece of art for my first butoh piece. The stage set was on point, the make-up, costume and music too. The stage was covered in sand...and when the performers ran across you could see the dust...loved it! The slow drips of water from these canisters hanging above the stage created a light effect on the stage as the dancers moved across or even stood still. I really felt that this performance combined mobu,metsi,moya,mollo(earth,water,air,fire) and man....as the fifth element. 


I would recommend to anyone that hasn`t been to a butoh show..to catch Sankai Juku if they can. 


Magriza Power!!!



The last performance I caught was a 60min comedy-dance trip. Gustavia)2008) performed by Mathilde Monnier and La Ribot. This was a hilarious 60minute piece. This was mix of dance, script,drama....well...physical theatre really. The ladies had social/cultural/political commentry. 

I was not bored for a minute....it was a good watch. I can`t say a lot, just that if you catch these two women...dancing away on stage at their age(they are in great shape.....my role models for my dance career). 


Intransit was  a great experience and was totally accomodative to the artists and housed most continents...the artist line up was great(even though artists don`t get to see each other`s performances cause of rehearsals).


Curator: Andre Lepecki

www.myspace.com/festival_intransit 




Labor Gras


Class: improv.

Location:labor gras,kroenzberg

Berlin,German



Early on a monday morning, my first day off since the cross currents lab...which happens to also be my second last day in Germany. I wake up early to go catch an improv class. I get there late. I got lost. The class kicks off, and its already too nice. 


My body finds itself between exercises, looking at anatomical places between my spine...and the small toe. The class specifically focuses on the muscles covering the back of the body....from the ankle till just below the buttocks and then from the lower back muscles till the place where the spine inserts into the skull. 


The entire class in fact, focuses on that. And the front of the body is kept soft. I found it exciting cause you focus more on your extensions using the 'backside of your body' as a friend of mine would say.  hadn't taken a proper contemporary class in a while, I thought I'd be lost. But amazingly, the teacher guided our every step.....his voice felt like a thought at the back of your mind. 


This class was a typical classic contemporary class of note. We did basic floor for warm-up, then we did centre work and then moving work....and a combination. I just hadn`t done a class like that in a while....in fact I hadn`t done a class for the last two weeks. 


I`d definitely give this class a thumbs up...in fact that studio is too dope for words. If you are in the Kroenzberg area or Berlin in general and you are looking for classes get down to that studio. It won`t be the easiest place to find but it`s worth it.


If you are taking the train...take the U-bahn...U7....till Hermannplatz...which is a station before...I forgot what the station name is...it`s after Hermannplatz.


studio: Paul-Lincke-ufer 44a

D-10999 Berlin

info:tanz@laborgras.com

tel: +49(0)30-695.051.83